马克·詹金导演执导的《诱饵》，2019年上映至今获得了不错的口碑，由西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗等主演的一部不错的剧情片。

诱饵剧情：

康沃尔渔村的风景(🥇)明(míng )信(📒)片田园诗误导(🃏)了(le )人们。虽(suī )然(rán )(🔱)过去(qù )(🤢)钓鱼是一(🔧)种(zhǒng )养家糊口的(🛤)方式，但如今富(🥩)有的(😧)伦敦游(yóu )(🌫)客纷(⏬)纷下(xià )山(shān )，取代了当地人(🖲)，当(🐿)地人的生计(🤷)因此受(🎡)到威胁(👁)。史(💆)蒂文(🔲)和马丁兄弟(dì )的(🐖)关(guān )系也很紧张。马丁是一个没有船的渔夫(🕕)，因为史蒂文开(⏺)始用它来为一整天(🌚)的游客提(⏯)供更赚钱的旅游。他们卖掉了这座家(📙)庭(tíng )别(bié )墅，现(xiàn )在(zài )看来(🌞)，最后(👓)一(🙀)场战(zhàn )斗是(shì )和新主(zhǔ )(🍄)人在海边(👃)的停车位上展开(kāi )。然而(ér )，情况很(🥕)快就失控(kòng )了，而不仅仅(jǐn )是因为车轮夹钳。Bait是一种黑白(bái )(😊)，手工制(🐛)作，16毫(háo )米(🤷)胶片制作(🌼)的电影。许多关于鱼、网、龙虾(🤔)、长靴、绳(shéng )结和(hé )渔篮的(📸)特(🥤)写镜头让人想起了蒙(méng )太奇景点的理(lǐ )论。对不同(tóng )社会(huì )阶层(céng )的描述——可(kě )以说是阶(jiē )级关系—(📤)—也(🍺)让人想(👚)起了英国(guó )电(💅)影(yǐng )中的社会现实(🎴)主义传统。然(rán )而(ér )，最重要的是(👅)，在影像中不(bú )同层次的电影历史参(😲)考(kǎo )文献(xiàn )之下(xià )，当(dāng )(🙅)前许多政(zhèng )治关联正(🐇)在等待被(bèi )(🏗)发现(xiàn )。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

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